by Rosa Parra

The Incomer, directed by Louis Paxton, features Domhnall Gleeson, Gayle Rankin, Grant O’Rourke, Emun Elliott, Michelle Gomez, and John Hannah. The storyline centers on two siblings, Isla (Rankin) and Sandy (O’Rourke), who reside on a remote Scottish Isle. They hunt birds, converse with mythical beings, and defend against outsiders. Their world changes when Daniel (Gleeson), an awkward official, arrives to move them.

This quirky moving comedy initially faced some difficulties, but once it gained momentum, it became a hilarious surprise of the festival. The performances were strong, with Rankin and O’Rourke’s portrayal of brother and sister feeling very relatable. Their chemistry is so natural it seems as if they’ve known each other forever.

I initially wasn’t entirely sold on the comedy and genre of this film, but as it progresses and Daniel is introduced, it becomes a hilariously endearing story of two siblings learning to interact with what they call a mainlander. Isla has kept some objects washed ashore from shipwrecks or previous settlers who failed to stay on the island. She has access to information but hasn’t learned much due to her overly protective older sister personality and reluctance to leave her comfort zone. Additionally, she’s read folktales about the island and believes her family and ancestors sacrificed themselves for her and her sibling to remain there.

The film has its moments, and some serious scenes are slightly undercut by comedy. Sandy stands out as the most adorable and naïve brother I’ve seen on screen in a long time. He’s my favorite character, and I can’t help but become invested in his story. Isla and Daniel’s relationship develops into a mostly platonic admiration, with a hint of romantic tension. I appreciated the message that moving on is a natural part of life, and leaving home is mostly an essential life step.

When Isla recounts her stories, the film shifts to animation sequences, infusing her tales with mythic qualities while emphasizing her authentic belief. Additionally, there’s a scene depicting an initiation ritual, which stands out as one of the most sincere and pure moments in the film.

The story centers around the theme of belonging. Despite living in different locations, the siblings and Daniel share similar feelings of belonging. They form a bond, and once they lower their defenses, their interactions are delightful. The story concludes on an uplifting note that almost brought me to tears, yet I wouldn’t mind experiencing it again. The humor may not appeal to everyone, but it resonated with me.

Overall, The Incomer has some awkward and unserious moments, but at its core, it’s a heartfelt tribute to belonging, home, personal growth, and self-esteem. It is charming, filled with odd characters and heartfelt moments.

Rating: 8/10