by Rosa Parra

The second half of 2026 kicks off with another summer blockbuster from Christopher Nolan: The Odyssey. This epic mythic action film was shot globally using cutting-edge IMAX technology. It’s the first feature made entirely with new IMAX cameras, adapting Homer’s legendary saga for screens worldwide. The cast features Matt Damon as Odysseus, Tom Holland as Telemachus, Anne Hathaway as Penelope, Robert Pattinson as Antinous, Lupita Nyong’o in dual roles as Helen of Troy and Clytemnestra, Samantha Morton as Circe, John Leguizamo as Eumaeus, Zendaya as Athena, Charlize Theron as Calypso, Jon Bernthal as Menelaus, Himesh Patel as Eurylochus, Bill Irwin as a Cyclops, Elliot Page as Sinon, Benny Safdie as Agamemnon, Corey Hawkins as Polybus, and Mia Goth as Melantho.

Christopher Nolan is one of the rare directors whose name alone instantly piques my interest in any film he makes. His status as an auteur and his unique talent for crafting larger-than-life stories with an intellectual touch have earned him that reputation. Earlier this year at CinemaCon, we saw a clip from this film and immediately sensed it was something truly special. That preview drew me further into the story, and I was eager for the full release. Waiting was well worth it, as the film certainly lived up to expectations.

Initially, I was skeptical about the presentation due to this star-studded cast. Much of my doubt stemmed from thinking the cast might be used primarily for marketing. However, I realize now I should have trusted Nolan’s talent. I’m glad to have been proven wrong.

First, Nolan’s brilliance is unmatched. He effectively made Travis Scott an engaging character despite his limited screen time. Matt Damon’s portrayal of Odysseus stands out as the most memorable performance, with his commanding presence and emotional depth deserving of Oscar buzz. After watching him, I truly respect Matt Damon. Anne Hathaway is the emotional core of the film, effortlessly conveying regal poise and sensitivity. Her deeply emotional performance is flawlessly executed; despite the heaviness, it never feels overdone. She was perfect. Tom Holland clearly steps out of Peter Parker’s shadow with this role. Zendaya, Charlize Theron, and Lupita Nyong’o also deliver strong performances. Robert Pattinson is another standout and may garner some awards recognition. My favorite, however, is John Leguizamo, who gives a powerful, moving performance. It’s remarkable how these well-known actors never become distracting, thanks to both their performances and the strength of the script.

A memorable aspect of the film for me is the makeup, costumes, and the authentic appearance of the actors’ faces. The format I watched it in probably highlighted this, as I could see every line and wrinkle, making their faces look natural and convincing. I’ve seen movies where actresses have so much Botox that their expressions become stiff and their reactions disappear, which can feel artificial. In a culture obsessed with youth, it’s refreshing to see a film where all the actors look genuine.

The tale of a man returning home is simple to recount. However, what kept me captivated was the film’s exploration of tragedy, drama, society, and the wider impact of one man’s actions—showing how those actions create a ripple effect across the world. Through flashbacks, we uncover Odysseus’s journey and come to understand his current situation. Nolan’s skill with nonlinear storytelling stands out; initially, it may seem disjointed, but by the third act, everything falls into place for a deeply satisfying conclusion.

Discussing a Christopher Nolan movie inevitably brings up its cinematography, score, and production design. Shot entirely in IMAX, the film truly deserves to be seen on the largest possible screen with the best sound system. The Odyssey stands as this era’s grand cinematic masterpiece, akin to Lawrence of Arabia, Spartacus, and Ben-Hur. Like those classics, it was filmed on real locations with practical effects, enhancing its immersive quality. Every shot feels visceral and authentic, creating a powerful visual and emotional presence. While it fosters a sense of realism, it also maintains enough mythological aura to prevent any disconnection from its fantastical world. Ludwig Göransson’s score is somber, emotional, and often suspenseful, elevating each scene with a heightened sense of tension.

Rarely does a film captivate me without giving me any grounds for criticism. While some might debate the 173-minute runtime, I found it perfectly paced and was thoroughly entertained throughout. I wouldn’t have minded spending even more time immersed in that world. I choose to overlook the controversies, as I see them as insignificant and poorly motivated. Criticizing a film without watching it fully strikes me as being in poor taste. The Odyssey reminded me exactly why I love watching movies, reigniting my passion for film criticism. I feel fortunate to be alive during this cinematic era and to have experienced such greatness on the biggest screen possible. The visceral and unforgettable experience left me eager to watch it again.

Overall, The Odyssey stands as a filmmaking masterpiece. Its seamless combination of every cinematic element results in one of the greatest films in cinema history and possibly one of the most epic experiences I’ve ever had on the big screen. It offers a sensory feast that reminds us why the theater remains the ultimate venue for experiencing truly monumental filmmaking.

Rating: 10/10