Overall, “Dune: Part 2” is the perfect filmmaking tapestry where every fiber is meticulously woven to create the perfect film. It’s an epic masterful cinematic experience.
Besides, raising potential new developments, secrets between the two supposedly, this is also a glorified defense for the court of public opinion to perhaps grant Yolanda that parole in 2025.
For this genre, Miller's Girl is incredibly bold with wonderfully written dialogue that at times I needed to grab my dictionary. Bartlett crosses so many lines as a writer/director but done so with taste, complexity and intelligence.
On Valentine’s Day Mexican cinema turned black with the death at 78, of the Sex Goddess of the box office hits in erotic comedy genre from the 70s and 80s, Sasha Montenegro.
Written and directed by Issa Lopez, “Tigers are not afraid” makes use of supernatural horror in a way she has given “True Detective 4” its own identity.
Sheila and Humberto talk about this experience and Sheila also reveals there why Prince wasn’t part of the group of artists which made that night the greatest one in pop.
This year’s Sundance didn't disappoint with showing Latino-created and/or -led films. Since two of the three films I discuss below were unavailable online, I decided it’d be best to attend the festival in person to watch them on the big screen as they were meant to be seen.
One of the elements that really hooked me into the show was the incredible music. Original songs in fact by some of the biggest names in Latino music today.