“Kiss of the Spiderwoman” Movie review. Sundance 2025.

by Rosa Parra

My most anticipated film of the festival was a bit underwhelming, I’m saddened to report. In bits and pieces, the film excels in showcasing specific musical numbers. The majority of the brightly colored scenes are reminiscent of the golden age of Hollywood musicals (think Singin’ in the Rain), and Jennifer Lopez fits perfectly in the role of Ingrid Luna. Lopez possesses a commanding presence and a classy finesse that’s reminiscent of Rita Hayworth. She’s given the opportunity to dance, sing, and perform all in one film, delivering a performance for the ages. However, it’s Tonatiuh who steals the show by far. He has various roles in the movie and effortlessly blends into each one. His magnetic and charismatic qualities paved the way for a career-defining performance. He delivers a hypnotic, vulnerable, and sensitive portrayal of Molina while also providing an equally strong interpretation of his character within the story he’s retelling.

The film is visually stunning, featuring big technicolor musical numbers and Jennifer Lopez hypnotizing the audience with her performance. Tonatiuh’s presence in the musical numbers is equally strong, complemented by his stunning voice.

What didn’t entirely work for me was the dynamic between Diego Luna and the shifts between the musical numbers, and the ongoing situation in the cell between Valentin and Luis. While Diego Luna does showcase his dramatic chops, he doesn’t quite convey a “machista” overly masculine impression, which is crucial during several important scenes in the cell. His character in the retelling of the story was acceptable, but I wasn’t fully convinced about the chemistry between him and JLo. Despite the backdrop of social and political turmoil depicted in the film, that threat doesn’t seem as perilous throughout. Consequently, the ending lacks satisfaction and fails to provide any sense of hope in its conclusion.

The movie had its moments of levity, and the dynamic between Luna and Tonatiuh worked well. However, the third act felt prolonged and disjointed, and some scenes needed tightening to flow better.

Overall, this film is a bold attempt to blend seriousness with musical numbers, but it lacks cohesion and a stronger connection to the political backdrop. The performances are strong, with Tonatiuh delivering an award-worthy performance. At times, it is entertaining and contains moments of levity, but it feels uneven in tone and pace.

Rating: 3 out of 5.